Business of the Creative Industries BA

Business of the Creative Industries BA

This edited volume distinguishes itself from other writings aimed at closing the gap between art and business, as it does not have a firm standpoint in one of these fields, but treating them as symmetrical and equal. The belief that by giving art and business an equal weight, the editors also create the opportunity to communicate to a wider audience and construct a path forward for art and business to coexist. This book has the potential of offering both critical theoretical and empirical understanding of these subjects and guiding further exploration and research into this field. Although this dichotomy has a well-documented existence, it is reconstructed through the writing-out of business in art and vice versa. Hosting The Levinsky Gallery, the Jill Craigie Cinema, and The House, a state of the art performing arts centre; we champion new innovations across all art forms. The small team works tirelessly to support the crucial work of arts organisations and individual artists across Wales.

  • You’ll find our staff accessible and ready to discuss your ideas, and we will provide support and advice.
  • The partners behind the four-year Resourcing Scotland’s Heritage programme have released the findings of a major new report into the current funding landscape for Scotland’s heritage sector.
  • And she worked at CAST in Cornwall where she produced the Groundwork programme with Director Teresa Gleadowe.
  • (One street artist even lucked out to the tune of $200 million having accepted shares in the fledgling social network over a cash payment.) And it’s about more than just style.

Over the course of his career, he has produced, edited or contributed texts to over 40 publications, and lectured widely. Our lecturers are at the cutting edge of contemporary art research and curatorial practice, as well as art history and visual culture. The modules we outline here provide examples of what you can expect to learn on this degree course based on recent academic teaching. The precise modules available to you in future years may vary depending on staff availability and research interests, new topics of study, timetabling and student demand. Birmingham City University is a vibrant and multicultural university in the heart of a modern and diverse city. We welcome many international students every year – there are currently students from more than 80 countries among our student community.

That’s about 40 hours of classes and independent study each week during term time. Everyone learns at a different rate, so the number of hours you spend on independent study will be different to other students on your course. We teach you in a variety of formats, from lectures, seminars and workshops, through to problem-based learning sessions where you will work on business and creative challenges in small industrial teams.

Studio Projects

The global lockdown at the start of 2020 led to the temporary closure of cultural institutions and art businesses across the world. However, as per a UNESCO report, the demand for creative artworks and products in digital forms grew. Freelance artists and creators are finding it harder to secure well-paid gigs and projects and the art world has also taken a hit from a decrease in potential art investors.

Arts and business

Art contributes to a productive working culture and it has been proven that workplace design has the power to motivate, engage and nurture individuals. Art in the workplace encourages and promotes social interactions, it stimulates emotional responses and fosters personal relationships. Art has far reaching effects within the organisation and is not just a major player in how the company is viewed but also how the people who work within it and come into contact with it, feel. We discussed Corporate Image as the vehicle for the Business to present itself to its stakeholders, how it perceives itself and how it communicates its values and personality in a visual sense. Laura leads the Communications team at Orchard, devising and delivering effective multi-channel communication campaigns for a portfolio of key clients, from the private and public sector, across Wales, the UK and beyond. Pooling the knowledge and experience of our members has enabled us to compile this catalogue of resources.

Creative industries today

All of our work celebrates the courage of business and individuals in supporting the arts and culture of the UK. This BA Art Business (Top-Up) course is essentially about employability, providing you with the knowledge, understanding and experience needed to work effectively in the creative industries. During this (one-year full time/ two-year part time) level 6 course, you will be supported to navigate artisttoursgroup.com the extensive range of careers in the creative and cultural sectors. The course will support you to develop the professional skills needed to pursue your ambitions, and the intellectual and critical skills to challenge existing structures, in order to innovate for the future. Providing you with the knowledge, understanding and experience needed to work effectively in the creative industries.

Business at the RCA

They advocate the power of the arts and engage in business development in order to grow the corporate marketplace for partnerships with the cultural sector. The Culture & Business Fund Scotland enables businesses and arts or heritage organisations to come together and build effective, sustainable partnerships, bringing creative projects – large and small – vividly to life. Acquire a sense of the distinctive social and cultural importance of the contemporary arts through an intellectually stimulating and satisfying experience of learning and studying. For Term 2 and our Art Writing module in 2022, the course was based at Camden Arts Centre, a celebrated contemporary art gallery in London, that offers a programme of exhibitions, events and artist residencies. Cathy is an artist, writer and academic whose work is concerned with how art can be created and distributed in collaborative partnerships and through the creation of commons. Her work seeks to understand the experience of contemporary conditions through social practice and is realised as digital video, print, installation, public art, publication,…

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